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Be it a colloquial garden in Nova Scotia or a subway trestle that supports my New York commute, integrating myself with my external environment is what fuels my work. Using the power of chroma and scale to evoke a physical and emotional experience, I invite the viewer to inhabit my visual and sensory landscape.
Printed large scale, my photographs encourage an embodied experience and imbue the everyday with the properties of a spectacle. These abstracted, yet familiar shapes make visual our ability to ascertain the singularity of something beyond the obvious. In my sculptural installations I amass intimate and monumental parts into pictorial and abstract compositions. Although image-based, they extend beyond illusion employing forms that resonate a tangible, physical presence. While the voluminous objects allude to floral and flesh, mimicking nature’s ability to create infinite forms from a few basic components, bone-like linear elements speak to the structures and fortifications of the city.
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